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They survive in oral tradition in isolated areas and also among users of the shape-note hymnals (black spirituals developed mostly from white rural folk hymnody.(Blacks and whites attended the same camp meetings, for instance, and black performance style possibly counterinfluenced the revival songs.) Many black spirituals thus exist in the white folk music tradition also, and many others have melody analogues in secular white American and British folk music.(This style persists in isolated areas in the 20th century, both in black and white churches.)A second source was the singing of hymns (as opposed to psalms only), reintroduced by such 18th-century religious dissenters as John and Charles Wesley, the founders of Methodism.

With all that I am, May God keep you in his warm and comforting embrace, You are in my heart, I Eighteen years ago, I wrote an article for a magazine that got me called in for a taped interview with a Fox TV morning news anchor.

Being an effective communicator and a skillful public speaker was a dream of mine at the time.

Where congregations could not read, a leader intoned (lined out) the psalm text, one line at a time, alternating with the congregation’s singing of each just-given line to a familiar melody.

The tune, sung slowly, was ornamented with passing notes, turns, and other graces, each singer producing his own improvised embellishment at whatever pitch level he found comfortable.

White spirituals include both revival and camp-meeting songs and a smaller number of other hymns.

They derived variously, notably from the “lining out” of psalms, dating from at least the mid-17th century.

Oakland continues, “Rather than having an indwelling of the person of Jesus Christ and the Holy Spirit, spiritual formation through spiritual disciplines supposedly transforms the seeker by entering an altered realm of consciousness.” Spiritual formation, then, can be seen as a way of seeking a relationship with God and a transformed inner self through the practice of spiritual—and often mystical—disciplines.

Unfortunately, many earnest Christians and Christian leaders are entering into a spiritualistic lifestyle without even realizing it.

After the Civil War the black spirituals were “discovered” by Northerners and either developed toward harmonized versions, often sung by trained choirs, or, conversely, preserved the older traditional style, especially in rural areas and certain sects.

Like the white gospel song, the modern black gospel song is a descendant of the spiritual and is instrumentally accompanied.

African tradition also included polyphonic and choral singing.

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